KROZ OBJEKTIV: ARHITEKTURA, GRAD I FOTOGRAFSKI MEDIJ U XX I XXI VEKU
Ključne reči:
arhitektura, fotografija, grad, društvo, modernizam, savremeno doba
Apstrakt
Osnovni predmet istraživanja jeste arhitektonska fotografija u XX i XXI veku, prikazana kroz interdisciplinarni obuhvat. U prvom delu rada prikazana je istorija arhitektonske fotografije kojom se obuhvata njen uticaj na razvoj modernog pokreta, kao i uticaj na modernog čoveka i promenu njegove percepcije o prostoru. Drugi deo rada se posvećuje razmatranju uloge fotografskog medija u arhitekturi modernizma, kao i njegov uticaj na savremeni grad i društvo.
Reference
[1] M. Hyun, Seeing Architectural Photographs: Space and Time in the Works of Julius Shulman and Ezra Stoller. Atlanta: Georgia Institute of Technology, 2016, pp. 4-5
[2] A. Higgot, T. Wray, Camera Constructs: Photography, Architecture and the Modern City. Burlington: Ashgate, 2012, pp. 35
[3] Rosa, Architectural Photography and the Construction of Modern Architecture, History of Photography, 22:2, pp. 99-104
[4] C. Robinson, J. Herschman, Architecture Transformed: A History of the Photography of Buildings from 1839 to the Present. Cambridge: The MIT Press, 1987, pp. 118-119
[5] J. Pallasmaa, The Eyes of the Skin: Architecture and the Senses. Chichester: Wiley-A Academy; John Wiley & Sons, 2005, pp. 19
[6] N. Leach, Anaesthetics of Architecture. Cambridge: The MIT Press, 1999, pp. 7
[7] M. Reinhardt, Vision’s Unseen: On Sovereignty, Race, and the Optical Unconscious. London: University Press, 2017, pp. 176
[8] N. Leach, Anaesthetics of Architecture. Cambridge: The MIT Press, 1999, pp. 59
[9] M. Hyun, Seeing Architectural Photographs: Space and Time in the Works of Julius Shulman and Ezra Stoller. Atlanta: Georgia Institute of Technology, 2016, pp. 10
[10] R. Neutra, On the Past and Future Tensions Between Documentation and Esthetics in Architectural Photography. Albany CA: Arts, 2014, pp. 336-339
[11] Delo autora
[12] Delo autora
[2] A. Higgot, T. Wray, Camera Constructs: Photography, Architecture and the Modern City. Burlington: Ashgate, 2012, pp. 35
[3] Rosa, Architectural Photography and the Construction of Modern Architecture, History of Photography, 22:2, pp. 99-104
[4] C. Robinson, J. Herschman, Architecture Transformed: A History of the Photography of Buildings from 1839 to the Present. Cambridge: The MIT Press, 1987, pp. 118-119
[5] J. Pallasmaa, The Eyes of the Skin: Architecture and the Senses. Chichester: Wiley-A Academy; John Wiley & Sons, 2005, pp. 19
[6] N. Leach, Anaesthetics of Architecture. Cambridge: The MIT Press, 1999, pp. 7
[7] M. Reinhardt, Vision’s Unseen: On Sovereignty, Race, and the Optical Unconscious. London: University Press, 2017, pp. 176
[8] N. Leach, Anaesthetics of Architecture. Cambridge: The MIT Press, 1999, pp. 59
[9] M. Hyun, Seeing Architectural Photographs: Space and Time in the Works of Julius Shulman and Ezra Stoller. Atlanta: Georgia Institute of Technology, 2016, pp. 10
[10] R. Neutra, On the Past and Future Tensions Between Documentation and Esthetics in Architectural Photography. Albany CA: Arts, 2014, pp. 336-339
[11] Delo autora
[12] Delo autora
Objavljeno
2021-10-04
Sekcija
Arhitektura
